Uprising

An Interview With Christopher McDonald, Daily Planet's Political Journalist

Aug 15, 2025

Here’s a Superman easter egg: Ron Troupe, a Black politics reporter at the Daily Planet, debuted in issue 480 of Adventures of Superman. First-time actor Christopher McDonald brought the character to the big screen in the superhero franchise's latest film.

Director James Gunn, known for having deep comic book knowledge, is notorious for casting friends in bit roles. McDonald, whose main gig is booking talent on The Kelly Clarkson Show, is certainly in Gunn’s close friend circle. He hopes the character sticks around. (More on that later.)

On the eve of Superman's streaming debut, McDonald sat with UpRising to discuss the film's making and its stellar reception.

———

UpRising: Tell me about Ron Troupe.

Christopher McDonald: He’s a serious journalist—a political reporter at the Daily Planet. He’s married to Lucy Lane, Lois’ sister [in the comics]. They have a kid. There’s even a storyline in the comics where he interviews Bill Clinton. I love that. And personally, it brought me full circle. I was a journalism major, wrote for the school paper, covered political beats. To play someone like that—it’s poetic.

The way you landed this role is unique. Take us back to the moment James Gunn cast you in the part.

I was sitting with my son. It was December 2023. My wife was on a girls’ trip in Turks & Caicos—important detail, which I’ll explain in a second. I get a text from James: “You still in Atlanta?” I’d lived in L.A. for 24 years, but had recently relocated. He says he’s going to be spending time at his place in Atlanta—he’s shooting Peacemaker and Superman partially down there.

Then he goes, “Selfishly, I’m hitting you up. Be at my house. Let’s hang. I’d love to see you and [my wife], Brenda.” Cool, I say. Then: “Secondly, I want to know if you’re into this,” and he sends me a Google link for Ron Troupe.

I didn’t recognize the character right away. He came into the comics in the early ’90s, and by then I wasn’t reading religiously. I just saw it was a brother in glasses. Even then, I’m thinking—there’s no way he’s talking about Superman…for me?

So what was the play?

I kind of tiptoed around it: “So… what are you saying here?” And he goes, “I get it—you’re busy, and this is last-minute—but it’d be fun to have you on set.” I’m still confused. I finally just ask: “Are you asking me to be in this?” He says, “Oh yeah, I’d love for you to play this character.” I’m [saying] "Is this Peacemaker?" He goes, “No, it’s Superman. [Ron Troupe] is part of the Daily Planet.” And then, like James always does, he tries to give me an out: “If you’re busy, no worries. I’ll find something else.”

Imagine a Gen-X man turning down an opportunity to be in Superman.

Right? I was like, "I’ll make it work." I’m sitting there thinking, Damn, I want to tell my wife, but I’m not supposed to say anything yet. And she’s in Turks with her friends. I knew if I texted her, the entire trip would know by morning.

Superman is available for on-demand streaming as of this week. How are you feeling about how the film has been received by viewers?

It’s been amazing! Everyone is loving the movie exactly for what James set out to emote from people—and that's hope, kindness and the promise of a better future. While we filmed, if we ever got remotely comedic or intense with our delivery, he would stop down between takes and tell us, "Guys, remember... this movie is meant to feel hopeful. It's not wacky. It's not comedic. This isn't Guardians. This is about hope and promise." And it was mission accomplished. 

You’ve known James for some time. What struck you about him in the early years?

He was already writing—he had Dawn of the Dead under his belt, which I loved. Everyone knows him as a director now... but for me, at that time, he was a signature writer. As someone who writes myself, I was blown away by his discipline and point of view.

You mentioned you saw something interesting on an industry list. What was that?

My writing partner and I had a manager who gave us access to this master list from CAA—basically a roadmap of films for the next 15-20 years. Huge blockbuster titles, each one with wishlist directors and cast. And I kept seeing James Gunn’s name next to all these massive properties: Thor, Iron Man, Transformers, even Godzilla. And the note next to every single one? “James Gunn: passing.” This was around 2004, so it was kind of ahead of the Marvel universe.

I saw James a few days later and told him. He said, “Yeah, I passed on all of them. I need to write, produce, and direct. It has to be mine, start to finish.” I thought, you’re out of your mind—you’re never going to work again. But he had a vision. And now? He’s not just directing Superman, he runs the whole DC studio.

What’s his superpower as a director?

Vision. Without question. It’s the way he sees the entire machine: casting, lighting, story, tone. Every detail matters to him. On Superman, he brought the cast together almost every night. We’d have dinner, smoke cigars, talk film. I’ve never seen someone work like that—he’ll direct a movie while writing an entire season of Peacemaker on the side.

Can you share a moment where you saw that vision in full force on set?

Absolutely. The first scene I shot is the one from the trailer—Clark Kent walking through the Daily Planet. It was a five-minute continuous take, shot with about 20 cameras in a fully built-out office space. We’re talking 100 extras, real desks, fog machines, old phones, hand-written notes on our desks—it felt like stepping into a real newsroom.

And James ran that whole scene like a conductor. From Video Village, giving notes, hitting every camera angle. He didn’t need 30 takes—he nailed it in a handful. You don’t fake that kind of control.

Did you guys realize Mr. Terrific would have the impact he's having?

I heard James say, "The world is going to love Edi as Mr. Terrific" several times during dinners on the evenings following production. He stuck the landing! I am so proud of Edi. I've paid attention to his career for many years because he's a Black man on film. And I've always been cognizant of his characters being sidelined for the even bigger characters in his projects. So seeing him shine in this character, and seeing the world finally give him his flowers puts the biggest smile on my face.

James has said he already has the outline for the next film. Are you hoping to be in the next installment?

I'm going to plead the 5th on this question! [Laughs] But that answer answers your question, right? I will tell you this, though: The DC Universe is expansive, and there is going to be a lot of world building and cross-pollinating. For example, it was revealed this week that Sydney Happersen [Lex Luthor's scientist employee with the bifocal glasses] is going to be in Peacemaker, season 2. So if they make a Mr. Terrific film, I hope Ron Troupe gets to be in it. After all, we brothers have to stick together.

Stream Superman this weekend

________________

[CRIB NOTES]


An Abridged Guide to
The Cosby Show's Theo Huxtable

The late Malcolm-Jamal Warner would've turned 55 this Monday. Reminisce on his legacy with this roadmap to his brilliance on TV's greatest family sitcom, The Cosby Show.

Title: Pilot/Theo’s Economic Lesson
Season: 1
Episode: 1
Air date: Sept. 20, 1984

The Cosby Show’s very first episode gives the blueprint. Theo bombs a report card and decides that’s fine because he’s content with a life of mediocrity—a “regular” profession unlike that of his high-earning parents. What follows is one of the coldest, funniest, most legendary parenting moments on television: Cliff Huxtable ruthlessly explaining adult expenses and financial literacy via Monopoly money. The scene went viral before viral was a thing. It set the tone for the series and for how so many Black families came to see love and discipline as intertwined.

Title: A Shirt Story
Season: 1
Episode: 5
Air date: Oct. 18, 1984

Ah, the Gordon Gartrell episode. This is Black fashion folklore. Theo wants to impress a girl with a designer shirt that is way out of his budget. Denise offers to sew him a dupe. The result? A crooked, janky, mustard-colored mess that’s stitched with pure sibling love. One sleeve is longer than the other. The seams zigzag like they’re running from an active shooter. It’s funny, but also so real: a teenage boy wanting to be seen, trying to project confidence with nothing but knockoff drip and a prayer. It’s one of the earliest examples of the show capturing what it means to want more than you can afford and to learn the hard way that clothes don’t make the man.

Title: Call of the Wild
Season: 1
Episode: 17
Air date: Sept. 24, 1987

When Clair finds a joint in Theo’s textbook, the vibe in the house changes instantly. Disappointing your parents hits harder in a Black household, and you can feel it in this episode. Theo swears the marijuana isn’t his. And while this proves to be true—turns out, the drug was planted on him by another kid—the power of this one is in the pause: that moment when your parents look at you like they don’t know you. Theo learned the value of trust and how quickly it can be squandered.

Title: Theo’s Holiday
Season: 2
Episode: 22
Air date: April 3, 1986

Adulting is overrated, but a young Theo hadn’t gotten the memo. The only Huxtable son is convinced he could get by in the real world off the strength of his charm and charisma. To teach him a lesson, Cliff and Claire convert their Brooklyn brownstone into a simulation in which their only son is forced to work, pay rent, and provide for himself with a limited salary of play money. The episode helped define Theo’s arc: a Black boy full of dreams and excuses who, thanks to tough love (and hilarious roleplaying), begins to understand what real life demands.

Title: Theo’s Gift
Season: 6
Episode: 5
Air date: Oct. 19, 1989

Theo’s been struggling in classes, but it’s not for lack of effort. After his teacher suspects he has a learning disability, Theo is diagnosed with dyslexia, and it reframes his entire academic experience. Just like that, years of academic frustration make sense. What’s powerful isn’t just the diagnosis, but the dignity with which the show handles it. There’s no shame. Just a young Black man realizing he learns differently, and finally being given the tools to thrive. This episode cautions young Black folks (and their parents) against mistaking a learning difference for laziness.

Title: Theo’s Dirty Laundry
Season: 6
Episode: 21
Air date: March 15, 1990

Theo’s in college now, technically grown—but not grown-grown. His parents find a woman’s underwear in his laundry, and the truth comes out: He’s been living with Justine. The episode explores the discomfort that comes when children step into adulthood before their parents are fully ready. The episode depicts the slow burn of two parents adjusting to a new version of their son—one who’s making real choices, real mistakes, and doing it beyond their protection. It’s a snapshot of the awkward beauty of growing up.

Title: Theo and the Kids (Part 1)
Season: 7
Episode: 25
Air date: April 25, 1991

Theo’s not just surviving college; he’s starting to find purpose in it. He takes a counseling gig working with kids at a community center. At first, he fumbles. But then you see it: the patience, the connection, the leadership. The same kid who used to struggle to turn in book reports is now helping kids believe in themselves—especially Stanley, a bright but behaviorally challenged boy who reminds Theo of himself. When he begins to suspect that Stanley might have learning disabilities of his own, he steps into a mentorship role. It’s a full-circle moment: one of The Cosby Show’s most emotionally satisfying arcs and a defining episode in Theo’s legacy.

—John Kennedy

If you want to go deeper on Theo’s journey, tap into The Cosby Showon Amazon.

________________

[TAKEN OUT OF CONTEXT]

I made Ryan Gosling famous. I made Jeremy Renner famous. I made Bryan Cranston famous. I now made Ron Howard famous! I’m like, if you want to get nominated, I’m the dude.

You may know him as Cap. But this veteran actor has dubbed himself “white dude legend,” joking about how his proximity to other actors has resulted in major award recognition for them despite his own snubs. Can you guess who it is?

Be the first to get updates

Be the first to get updates

Be the first to get updates

Sign up to our newsletter
Sign up to our newsletter

Sign up to our newsletter